Mustache Films takes 2nd Place in the SA48HR competition |
Wednesday, December 10, 2014
Wednesday, October 15, 2014
Friday, August 22, 2014
Thursday, May 15, 2014
Friday, May 2, 2014
Exit Interview for Mr. Calvo's Class
Exit Interviews begin next week (May 5th). Each student will be both behind the camera and in front of it. Students will be expected to set up there own lighting and camera. Information on how to do both is below:
For detailed info on camera please visit:
For detailed info on lighting please visit:
Friday, March 21, 2014
Thursday, February 13, 2014
Wednesday, February 12, 2014
Career Opportunities
Posted 17 hours ago
Casting Call for San Antonio, Texas Student Short Film “Dwell”
Casting Call for San Antonio, Texas HD Student Short Film “Dwell”
Production Title: Dwell
Studio/Independent/Student: Student
Union/Non-Union: Non-Union
Project Type: Short Film
Project Format: HD
Production Location: San Antonio, Texas
Production Start Date: March 01, 2014
Shooting Schedule: weekends over 1 and a half months
Production Wrap Date: April 20, 2014
Studio/Independent/Student: Student
Union/Non-Union: Non-Union
Project Type: Short Film
Project Format: HD
Production Location: San Antonio, Texas
Production Start Date: March 01, 2014
Shooting Schedule: weekends over 1 and a half months
Production Wrap Date: April 20, 2014
Producer: Matthew Price and Gabriel Ovalle
Writer: Miranda Tamez
Director: Gabriel Ovalle
Writer: Miranda Tamez
Director: Gabriel Ovalle
Synopsis: After a series of bad dates, Michael slowly begins to realize that he won’t be able to find a stable relationship or get his life back together until he finds closure for accidentally killing his wife in self defense.
Character Breakdowns:
- BARTENDER- Big hunky guy/able to force an angry husband out of a bar
- DEREK- Older, married man/calm, cool, collected/taller man with deeper voice/has common sense
- EMMA- Sassy, attractive, goes to bar with Joseph
- HAROLD- Old man, vulgar, yells at Michael
- KEVIN- intimidating, angry at his cheating wife
- JOSEPH- agile and cowardly man who takes Emma on a date without knowing that she’s married
- MINDY- Michael’s wife/able to be angry, scream and cry
- NICK- comedic relief, younger bachelor, somewhat of a pervert/goofball
- REBECCA- older woman, a bit sad
- SYLVIA- busty, blonde/goes on date with Michael
- TERRY- more athletic build, taller goes on date with Michael
- HANNAH- sexy, curvy and attractive
Paid/Non-Paid: Non-Paid
Other/Additional Compensation: Film Credit
Meals/Lodging/Transportation Provided: Snacks and Beverages
Other/Additional Compensation: Film Credit
Meals/Lodging/Transportation Provided: Snacks and Beverages
*Email Your Casting Submissions To: Gabriel34543@yahoo.com
Special Notes for Potential Cast/Crew: We will give you the specific audition time/location after emailing.
Audition Date: February 20, 2014
Audition Location/Address: UTSA
Audition Location/Address: UTSA
10 minute Productions begin Monday
PROJECT 1
February 17 - 21
MONDAY
Melting Pot of Ideas
TUESDAY
Building Story
WEDNESDAY
Writing
THURSDAY
Writing
FRIDAY
Writing
February 24 - 28
MONDAY
Writing & Casting/Makeup/Wardrobe
TUESDAY
Writing & Location Scouting
WEDNESDAY
Writing & Camera
THURSDAY
Writing & Sound
FRIDAY
Writing & Lighting
March 3 - 7
MONDAY
Shooting for 2nd Period
TUESDAY
Shooting for 3rd Period
WEDNESDAY
Shooting for 4th Period
THURSDAY
Shooting for 6th Period
FRIDAY
Shooting for 7th Period
March 17 - 21
MONDAY
Editing
TUESDAY
Editing
WEDNESDAY
Editing
THURSDAY
Editing
FRIDAY
Editing
March 24 - 28
MONDAY
Editing
TUESDAY
Editing
WEDNESDAY
Editing
THURSDAY
Editing
FRIDAY
Editing
PROJECT 2
March 31 - April 4th
MONDAY
Melting Pot of Ideas
TUESDAY
Ideas
WEDNESDAY
Writing
THURSDAY
Writing
FRIDAY
Writing
April 7 - 11
MONDAY
Writing & Casting/Makeup/Wardrobe
TUESDAY
Writing & Location Scouting
WEDNESDAY
Writing & Camera
THURSDAY
Writing & Sound
FRIDAY
Writing & Lighting
April 14 - 18
MONDAY
Shooting for 2nd Period
TUESDAY
Shooting for 3rd Period
WEDNESDAY
Shooting for 4th Period
THURSDAY
Shooting for 6th Period
FRIDAY
Shooting for 7th Period
April 21 - 25
MONDAY
Editing
TUESDAY
Editing
WEDNESDAY
Editing
THURSDAY
Editing
FRIDAY
Editing
April 28 - May 2
MONDAY
Editing
TUESDAY
Editing
WEDNESDAY
Editing
THURSDAY
Editing
FRIDAY
Editing
Thursday, January 23, 2014
Wednesday, January 22, 2014
5 Movies nominated for best Cinematography
*Due to the content of these films/trailers please make sure you have parents permission before viewing
GRAVITY
INSIDE LLYWEN DAVIS
NEBRASKA
PRISONERS
THE GRAND MASTER
Thursday, January 16, 2014
Wednesday, January 15, 2014
Some info on Lighting
Common Lighting Terminology
Ambient Light | The light already present in a scene, before any additional lighting is added.More info: Ambient Light | ||||||||||||||||||
Incident Light | Light seen directly from a light source (lamp, sun, etc). | ||||||||||||||||||
Reflected Light | Light seen after having bounced off a surface. | ||||||||||||||||||
Colour Temperature | A standard of measuring the characteristics of light, measured in kelvins.More Info: Colour Temperature Chart | ||||||||||||||||||
Contrast Ratio | The difference in brightness between the brightest white and the darkest black within an image.More Info: Contrast Ratio | ||||||||||||||||||
Key Light | The main light on the subject, providing most of the illumination and contrast.More Info: 3 Point Lighting | ||||||||||||||||||
Fill Light | A light placed to the side of the subject to fill out shadows and balance the key light.More Info: 3 Point Lighting | ||||||||||||||||||
Back Light | A light placed at the rear of a subject to light from behind.More Info: 3 Point Lighting | ||||||||||||||||||
Hard Light | Light directly from a source such as the sun, traveling undisturbed onto the subject being lit. | ||||||||||||||||||
Soft Light | Light which appears to "wrap around" the subject to some degree. Produces less shadows or softer shadows. | ||||||||||||||||||
Spot | A controlled, narrowly-focused beam of light. | ||||||||||||||||||
Flood | A broad beam of light, less directional and intense than a spot. | ||||||||||||||||||
Tungsten | Light from an ordinary light bulb containing a thin coiled tungsten wire that becomes incandescent (emits light) when an electric current is passed along it. Tungsten colour temperature is around 2800K to 3400K. Also known as incandescent light. | ||||||||||||||||||
Halogen | Type of lamp in which a tungsten filament is sealed in a clear capsule filled with a halogen gas. | ||||||||||||||||||
Fresnel | A light which has a lens with raised circular ridges on its outer surface. The fresnel lens is used to focus the light beam. | ||||||||||||||||||
Incandescent | Incandescent lamps produce heat by heating a wire filament until it glows. The glow is caused by the filament's resistance to the current and is called incandescence.The Standard 3-Point Lighting Technique
The Three Point Lighting Technique is a standard method used in visual media such as video, film, still photography and computer-generated imagery. It is a simple
but versatile system which forms the basis of most lighting. Once you understand three point lighting you are well on the way to understanding all lighting.
The technique uses three lights called the key light, fill light and back light. Naturally you will need three lights to utilise the technique fully, but
the principles are still important even if you only use one or two lights. As a rule:
Key Light
This is the main light. It is usually the strongest and has the most influence on the look of the scene. It is placed to
one side of the camera/subject so that this side is well lit and the other side has some shadow.
Fill Light
This is the secondary light and is placed on the opposite side of the key light. It is used to fill the shadows created
by the key. The fill will usually be softer and less bright than the key. To acheive this, you could move the light
further away or use
some spun. You might also want to set the fill light to more of a flood than the key.
Back Light
The back light is placed behind the subject and lights it from the rear. Rather than providing direct lighting
(like the key and fill), its purpose is to provide definition and subtle highlights around the subject's outlines. This
helps separate the subject from the
background and provide a three-dimensional look.
If you have a fourth light, you could use it to light the background of the entire scene.
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Friday, January 10, 2014
Zombie film looking for extras
The local Zombie film "Walking with the Dead" is looking for zombies!!!
The details are as followed:
Who: Walking With The Dead (zombie film)
When: Saturday 10am and Sunday 6pm
Where: Wonderland Mall (formerly Crossroads Mall) I-10 and 410 off of Fredericksburg Rd
Contact: Chandler 210-844-1705
Wear dull colors that you don't mind getting dirty. Bring family and friends, this is open to anyone who wants to be a zombie, adults, kids, everyone. No logos on shirts, no pay but food will be provided.
Wednesday, January 8, 2014
Terms for this Fridays Test
Automated Dialogue Replacement
AKA: Automatic Dialogue Replacement, ADR, Dialogue Looping, Dialog Looping, Looping
The re-recording of dialogue by actors in a sound studio during post-production, usually performed to playback of edited picture in order to match lip movements on screen. ADR is frequently used to replace production track of poor quality (e.g., due to high levels of background noise) or to change the delivery or inflection of a line. ADR can also be used to insert new lines of dialogue which are conceived during editing, although such lines can only be placed against picture in which the face of the actor speaking is not visible.
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Boom Microphone
AKA:Boom Mic, Boom, Fishpole, Giraffe
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Foley
The art of recreating incidental sound effects (such as footsteps) in synchronization with the visual component of a movie. Named after early practitioner Jack Foley, foley artists sometimes use bizarre objects and methods to achieve sound effects, e.g. snapping celery to mimic bones being broken. The sounds are often exaggerated for extra effect - fight sequences are almost always accompanied by loud foley added thuds and slaps.
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MOS
AKA: Mit Out Sound, Minus Optical Stripe, Motor Only Sync,
A take that is filmed without recording sound at the same time. MOS stands for "mit out sound"--it is purported that director Erich Von Stroheim couldn't pronounce "without sound" correctly due to his accent.
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Music Supervisor
AKA: Musical Director, Musical Direction, Music Director, Music Direction
A person who coordinates the work of the composer, the editor, and sound mixers. Alternately, a person who researches, obtains rights to, and supplies songs for a production.
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Production Sound Mixer
The head of the sound department on the set. They are responsible for the process of recording all sync dialog and sync sound effects in a scene. The Production Sound Mixer has a number of duties: selection and operation of the microphones, and recording equipment used on the set, directing the boom operator, combining the sound of multiple microphones used to capture dialog and effects on a set, recording sound ambiance and room tone for all scenes, and wild track that will aid the editor and sound mixer in matching the different sound takes in a scene for smooth sound transitions.
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Score
The musical component of a movie's soundtrack. Many scores are written specifically for movies by composers.
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Tuesday, January 7, 2014
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